Igor Krukinov is the director of the Romance Theater, and Nikola Kondenko and Natalia Zolotarjova are the actors in the theater. For them theater means life and home. A place where they can talk freely about their culture, problems and development process. What they all have in common is that they developed a love of theater from an early age. They also talk about their favorite roles, the way the Roma theater works, the values ​​and experiences they have experienced together and their future plans. It becomes clear what and why they consider important in Roma theater and what they want to convey to the audience through their production.

  The role model of Zsolt, who grew up in Sepsiszentgyörgy, is the theater company of László Bocsárdi. The company’s epoch-making performances and intimate atmosphere immediately captivated the boy preparing for an acting career. “ I looked up to these actors like gods.”- he says nostalgically. He recounts that after one of the performances, he took courage and talked to them. That's when his dream to be an actor in the Tamási Áron Theater was born. He talks about his experiences in Marosvásárhely at Színművészeti Egyetem and how he got into the thick of alternative theater life in Budapest.  Finally, he talks about her community work, experiences and its aftermath at the Roma settlement in Őrkö.

  Among other things, Slavisa Markovic, who also talks about the development of his passion for theater, seeks answers to these questions. He said his attachment to the theater began as a child in the AG puppet theater, where he was sent by one of his teachers. Identity and interaction with the environment is one of the central themes in his work. In this regard, we can learn more about his form-breaking ideas and why it is important to look at stories from as many perspectives as possible.