What’s the first thing that comes to our mind when we talk about heroes? Why do we consider someone a hero? Discipline wouldn’t come to most people’s mind first. This story shows, though, how expectations full of love and intentional parenting make heroes out of our parents. To introduce my heroes, I must go back to my childhood…and I am lucky enough to think of my mum and dad as heroes. I was not a good kid at all. I did a lot of mischief, and I was also lazy and self-righteous. Music was always important in my family. My dad is still the organist in our local church. My parents soon noticed my musical talent when I was a child, and they wanted me to improve it. Beside music, improving my school records became my other priority. My parents divided the tasks between them: my dad would assist my musical studies, and my mum would help me better my grades. I found maths extremely difficult, and my mum sacrificed her whole summer to tutor me. Each day she worked with endless pa...

  What’s your biggest dream, and what would you do to achieve it? Life often doesn’t turn out how we planned. What do you do then? Do you face the difficulties, or do you give up? The story of my hero gets a special place in my heart because it has one main character but two heroes. Where shall I start? Yes, I would like to tell you about my sister. A true perfectionist. She’d had this personality trait already back then when she started university but beginning her studies didn’t go smoothly. Her first thing to do was to apply for a dorm room, because getting to school would have been a true struggle every single day by train, bus and the local bus service. This would have meant six hours of commuting each day. She obviously tried her best to get a place in the dormitory. The story would end here if reality would be like a fairy tale. But we all know that it is not always like that. So, she kept on trying without success for months, she didn’t get a room, meanwhile she would w...

  The pandemic has been in our lives for two years. The whole world is struggling with it, many people have lost their loved ones, their jobs, their financial and spiritual safety. What can you do when the situation seems hopeless and there is nothing to hold onto? The answer is simple, it’s hard to act. But we cannot give up, we must move forward! Our goal is to bring hope with this story to those who lost their relatives. Theatre means a lot to me, I love being on stage, rehearsing, stepping on stage with my colleagues. It’s truly an exceptional way to earn my living doing what I adore. Everything was going well, my life was great, then suddenly problems started to arise. The virus appeared. There was less and less work, the money to live on became uncertain and a crisis in my partner relationship reared its head. Long months have passed, there was nothing to do, I had to take actions. I tried my luck in the Netherlands, I took a job in a factory.  Life started to become nor...

Igor Krukinov is the director of the Romance Theater, and Nikola Kondenko and Natalia Zolotarjova are the actors in the theater. For them theater means life and home. A place where they can talk freely about their culture, problems and development process. What they all have in common is that they developed a love of theater from an early age. They also talk about their favorite roles, the way the Roma theater works, the values ​​and experiences they have experienced together and their future plans. It becomes clear what and why they consider important in Roma theater and what they want to convey to the audience through their production.

  The role model of Zsolt, who grew up in Sepsiszentgyörgy, is the theater company of László Bocsárdi. The company’s epoch-making performances and intimate atmosphere immediately captivated the boy preparing for an acting career. “ I looked up to these actors like gods.”- he says nostalgically. He recounts that after one of the performances, he took courage and talked to them. That's when his dream to be an actor in the Tamási Áron Theater was born. He talks about his experiences in Marosvásárhely at Színművészeti Egyetem and how he got into the thick of alternative theater life in Budapest.  Finally, he talks about her community work, experiences and its aftermath at the Roma settlement in Őrkö.

  Among other things, Slavisa Markovic, who also talks about the development of his passion for theater, seeks answers to these questions. He said his attachment to the theater began as a child in the AG puppet theater, where he was sent by one of his teachers. Identity and interaction with the environment is one of the central themes in his work. In this regard, we can learn more about his form-breaking ideas and why it is important to look at stories from as many perspectives as possible.

  In Nebojsa Markovic’s life, storytelling played a huge role as a community-building force. According to him, storytelling already had been a performative act with expressive mimicry and by bringing the whole being of the narrator into the story. This is how Nebojsa's love of theater developed.  The little boy started writing sociodramas. He was disturbed by the inability of other people to form an identity-independent judgment in his direction. He talks about why he was disturbed at school by the compulsion of her Roma peers to comply and when the value of acceptance regardless of origin developed in his life. We can find out what matters most to him in theater and why he doesn’t have a role model.